You''d be amazed at the enhanced tonal change you''ll receive. It seems to me anyone who has tried this film to unsatisfactory results, simply isn''t utilitze a professional lab with a qualified printer at the helm, or needs to start rating this film properly at E.I. For architecture and landscape, and portraits, T400CN is a winner. Tri-X and Fuji Neopan 400 still tops for me. BW400CN is/was (its discontinued now, leaving Ilford XP2 Super the only similar film left on the market) a C41 black and white film, meaning it can be processed in the standard color process. Since I prefer the added textual quality grain provides in my dad to day, and even some portrait shootings, I shoot non-chromogenics. When I want no grain, I shoot T400CN, period. You always strike a compromise somewhere with these films. It has a beautiful smooth tonal range I love, but cannot match T400CN for its overall grainless look. Since this is not the ONLY B&W film I use, I recently began shooting Fuji 100 Acros based on recent reviews. If you''re an amateur, I strongly suggest you consider this film as mini-insurance policy in tricky lighting situations. Try that with any non-chromogenic and kiss half your prints goodbye. So I knew I’d be experimentingespecially with how long to develop. There is some information out there, but not a ton. But usually cross-processing refers to C41 film developed in E6 chemicals (or vice versa). 200 to 800 on the same roll with fantastic results. What happens when you develop color (C41) film in black and white chemicals Technically, this process is called cross-processing. The best attribute to this film is its latitude. I know printers who disagreement with me, but all I have are my own prints for comparison. Medium format 120 and 220 black and white film processing, printing and scanning, including Kodak Tmax and Tri-X, Ilford HP5, FP4, Delta, and more. 120, 220 and 4x5 black and white processing. I personally prefer this chromogenic over Ilford XP2 Super, which I find doesn''t enlarge as cleanly to 8x10 and 11x14 as T400 does. Medium format 120 and 220 C41 print film processing, printing and scanning, including Kodak Portra, Fuji Pro 400H, and more. Another advantage to this film is scan-ability. Which means back in the day you could get it processed at any one hour lab, and have kinda black and white. The results will be a positive image that will approach the quality of E-6 developed film. It is a black and white film which is processed in C41 type processing chemicals alongside colour negative films. Yet, I have two 4圆 prints on my wall printed from Rite-Aid on T400CN. In this instructable, we will develop slide film that normally uses the E-6 chemical process with a standard black and white film developer and color negative film process (C-41) chemicals. If a pro has difficulty, you can bet a computerized mini-lab machine will be of no help. At 400 rating, I have heard complaints about how difficult (time consuming) it can be to find the right contrast range. And yes, I only use professional printers here in L.A. Agitate constantly on the first minute, then slowly three times every remaining minute. Aim for 20 degrees C or 68 degrees F and try to keep it constant. I almost always rate this emulsion at 200 - sometimes 100, depending on contrast variation of the scene. Since we are all still stuck at home and under Quarantine, I decided to do a little c41 color film developing experiment. Instructions Dissolve in 12 ounces water and let stand five to ten minutes to clear bubbles. I have photos to 11x14 that look medium format to even the most discerning eye. I processed alot of rolls of this film, and thought it would be great to feature it.I''ve shot almost every B&W emulsion over the years, and never found any to date that can rival T400CN for its latitude and lack of grain (being a dye based film). The tones made scans some of the best I have seen from film. It is a black and white film which is processed in C41 type processing chemicals alongside colour negative films. This means that the dyes which make up the image are formed during development rather than being present in the film or added later. The extremely wide exposure latitude of XP2 SUPER is the result of the unique relationship between exposure and grain in chromogenic films. Ilfords XP2 Super is a high-speed chromogenic black and white negative film that can be processed alongside conventional color negative films in C-41. The film yields high contrast negatives and has an extremely wide exposure latitude making it suitable for use in varied lighting conditions. XP2 SUPER is a chromogenic film. It can be used for any photographic subject, but ensures excellent results when there is a wide subject brightness range. XP2 SUPER is a sharp, fast, fine grain black and white film.
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